It has been eight years since the ScreenSaverGallery started exploring the waters of the computer screensaver as an artistic medium. The research not only happens during exhibitions in the gallery itself, but it has also taken on a more academic dimension.
The culmination of this research is the publication The Art of Screensaver (published by BUT & PAF), an exhibition Screensaver as a Unique and Shocking Artform curated for the Gallery XY in Olomouc, Czech Republic (Dec 13 2021 – Jan 31 2022), and two extensive ScreenSaverGallery exhibitions we have prepared for the year 2021: The First and Only Retrospective of Artistic Computer Screensavers (April–December 2021) and The Limits of ScreenSavers_A SCRAVER AS A UNIQUE AND SHOCKING ART FORM starting just now.[1]
The exhibition is an archival one and traces back the screensavers presented at 2000 exhibition Refresh: The Art of the Screen Saver, possibly (one of) the first exhibitions of artistic screen savers in an art institution, which was held between November 4 and 26, 2000 at Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Stanford, California (as well as on-line at ArtMuseum.net).
Since most of the screensavers were due to software and technology development no longer functional, it would not be possible without some restoration work, financially supported by the statutory city of Brno, and fore and foremost without the original exhibition files still lying in the personal archive of Yael Kanarek, who designed the exhibition website back in 2000.
Three screensavers were not possible to reconstruct and are presented as still images. EveryImage by Alexander R. Galloway from 2000 was a server-based work, in real time pulling-in images from Rhizome’s database. cameraSS (2000) by duo Entropy8Zuper was an online performance containing live webcam stream, that would need to be re-performed. However, the age of the personal computer is already behind us and the context of using one’s computer is quite different today. SoftSub, 1999 screen saver by C5, was developed in the Mac Classic environment using Flash. These archival challenges are now being addressed by the San Jose University to include C5’s work in their permanent collection.

Refresh: The Art of the Screen Saver
November 4–26, 2000, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Stanford, California; on-line at ArtMuseum.net.
Curated by James Buckhouse and Merrill Falkenberg.
List of artworks
Francis Alÿs: The Thief, 1999
James Buckhouse: Double, 2000
C5: SoftSub, 1999
Patty Chang: Contortionist, 2000 *
Content Provider: 3017, 2000
Miriam Dym: All-Spin, 2000
Entropy8Zuper.org: cameraSS, 2000
Chris Finley: Cherry Churnin Drool Mix, 2000
Alex Galloway: EveryImage, 2000
Peter Halley: Untitled, 2000
Jenny Holzer: Lustmord, 1996
Yael Kanarek: World of Awe, 2000
Tarikh Korula: Texas Moments, 2000
Glenn Ligon: White #14 Screen Saver, 2000
Greg Lynn: Plantoid, 2000
Greg Niemeyer: Survey, 2000
Paul Pfeiffer: John 3:16 Screen Saver, 2000
Matthew Ritchie: Untitled, 2000**
Mick & Ted Skolnick: The Dreamingmedia Screen Saver, 2000
Scott Snibbe: Emptiness is Form, 2000
PK Steffen: blue, 2000
Jason Spingarn-Koff: LifeSavers: Survival Tips for a Dangerous World, 2000
* as pointed out by the artist, the right title of the work is Contortion, however the 2000 exhibition introduces it as Contortionist
** Matthew Ritchie’s work has apparently never been introduced into the exhibition

The curators divided the 22 screensavers into four main topics: Web-Based Screensaver (Entropy8zuper!, C5, Alexander Galloway, Content Provider, PK Steffen), Digital Video (Paul Pfeiffer, Patty Chang), Narrative (Yael Kanarek, Jason Spingarn-Koff, Tarikh Korula’s, James Buckhouse in Double) and Painting, Graphics and Animation (Glenn Ligon, Francis Alÿs, Chris Finley, Peter Halley, Miriam Dym and Matthew Ritchie).
Read the original curatorial text by James Buckhouse and Merrill Falkenberg from 2000 in Web Archive.
More about the exhibition can be discovered in the prepared book The Art of Screensaver (ed. Marie Meixnerová, BUT & PAF, Olomouc 2020–2). Preorder at shop@pifpaf.cz.
Many thanks to: Yael Kanarek, James Buckhouse, and respective authors of the screen savers.
Financially supported by the statutory city of Brno.

[1] Plus an international symposium The Art for Screensaver at PAF Olomouc (Festival of Film Animation and Contemporary Art) that was planned to take place at the beginning of December, however was postponed to 2022 due to the dismal Covid-19 situation in the Czech Republic.
Tags: screensaver, PAF, Refresh